I want to introduce digital artist from Spain Nonia de la Rosa. Artworks of Nonia de la Rosa are awakening creativity through play and improvisation. Fantasy through the movement of colors allows her to touch her own sources of creativity, feeling of life and enter to the very deep stratas of her soul. Her works are full of emotions and not only, she sounds like orchestra which is very successful in the instrumentation of her intellect and feelings.

For most of our readers the name of philosopher, political scientist, traditionalist, professor Aleksandr Dugin as well as his numerous books is well known. That’s why we won’t start from Adam and Eve. You can find more information about A. Dugin and his works in these websites: http://www.arcto.ru, http://www.4pt.su, http://dugin.ru. Professor A. Dugin kindly answered to some of our questions.

In religious life there is nothing more worrying than those people who, rather than concentrating upon the joys of the spirit, are led instead to a fixation upon evil. There are people who have a combative temperament, and it is to be expected that they will engage in struggles and fights on behalf of their faith, but there are some people for whom the main expression of their faith becomes so-called "spiritual warfare." I have seen quite a bit of this. For many years I had a neighbour who was deeply involved in an evangelical Christian ministry that was mainly devoted to this cause. They were preoccupied with the Devil. They saw the Devil everywhere - the world is the Devil's playground - and they devoted themselves to fighting him through prayer, exorcism and other means. Among the Devil's minions they counted Catholics, Muslims, Mormons, Masons, Neopagans - in fact just about any form of spirituality other than their own specific version of Bible-based evangelical Christianity. Their perspective was extremely narrow. Anyone not "saved" was most likely "possessed" and in need of having demons cast out from them.

A poem by Mindaugas Peleckis.

Europos žemės ūkiui būtų padaryta nepataisoma žala, jei Europos Komisija sektų JAV ir leistų auginti herbicidams atsparius genetiškai modifikuotus augalus, įspėjo „Greenpeace“. Organizacija taip teigė remdamasi atlikta ataskaita – prognoze, kaip Europą paveiktų padidėjęs herbicidų naudojimas, susijęs su herbicidams atspariais genetiškai modifikuotais (GM) augalais. Europos Komisija šiuo metu svarsto ir gali 2013 m. pradžioje priimti sprendimą leisti auginti 19 herbicidams atsparių GM kultūrų. (1)

Poetry in English by Aidas Baublys.

I am in northeast Lithuania, midsummer 2006. A single dusty road cuts the landscape of shimmering lakes and forested hills between the hamlets of Tamuliškis and Stelmužė. Despite calming, serene countryside and a few interesting landmarks—among them one of the world’s oldest oak trees—few strangers come to Stelmužė. Commercial traffic between St. Petersburg and Warsaw (and beyond) flows through Utėna, home of a large brewery. The gorgeous lakes surrounding Zarasai, a town of more than 8,000, attract vacationers, but few come from any great distance.

When I began to write my book Unofficial Release, I chose the title based on its mischievous ambiguity, given the multiple interpretations of the noun "release." In the lexicon of communications media, a release can be any type of product made available for public assessment and consumption. However, "release" has also been used historically as a stand-in for various kinds of liberation. Given that my book was about an extreme form of "do-it-yourself" media practice - i.e. controlling as many aspects of an audio recording's production and distribution as possible - I wanted to imply that the existence of self-released and handmade recordings could, and did, lead to the latter type of release. This could be a release from the need to pander to a pre-established market, a release from financial obligations (e.g. the considerable amounts of money needed to press a vinyl LP or compact disc), a release from the scrutiny of overzealous authorities, and, sadly, the occasional release from having to attain any reasonable standard of creative merit.

The first release on Takanobu Hoshino’s OtO label, is quite a startling and daring launch. The Fukushima based sound artist has chosen Francisco Meirino to kick start his new venture with an album of stark beauty and purity. It requires a deep listening approach. I know that term is a bit of a cliché these days, but this time I think it is truly valid. This work simply will not reveal the truth at its core without respecting its subtlety.

Od 2 do 7 października we Wrocławiu szykuje się najbardziej obfita uczta z udziałem niemieckich gwiazd sceny muzycznej, a także wielowymiarowa przestrzeń dla kultury.

Interview with Robert Taylor. Cult band Changes, neofolk before neofolk. Enjoy.

This is the first of a series of blogs about the Bible and its relationship to the current Zionists whose claims are based on the Bible.

Legend of experimental music Z'EV (Stefan Joel Weisser, b. 1951) is preparing a project that hopefully will provide the funding to get his cine-cussion on the road. Cine-cussion is of one many unique projects of Z'EV (www.rhythmajik.com/cine-cussion.html). Z'EV, due to an unfortunate accident that shattered his kneecap at the end of tour, began to explore ways to make my cine-cussion equipment more compact and lighter. Now he is asking for our help to obtain and/or have developed the hardware and software necessary to enable me to pursue this project, make it practical for me to travel and perform with, and continue its evolution into the future.

Peter Andersson (born March 20, 1973 in Boxholm, Sweden; http://raison-detre.info/main.html) is a music composer within the ambient, noise, industrial, electronic and experimental genre. His projects are Raison D'être (celebrating 20 years now), Stratvm Terror, Necrophorus, Atomine Elektrine, Yantra Atmospheres, Panzar, Bocksholm, Svasti-ayanam, Cataclyst, Grismannen etc. World famous musician answered to some questions.

Skubus Lietuvos sirgalių pranešimas anglų kalba.